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results 21-40 of 68 item(s)  page 2 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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21. [Bookplate for University of British Columbia Library] [Bookplate for University of British Columbia Library] Grey ink on cream paper. Text appears above and below university shield which is set on a dark background.

22. [Bookplate for University of British Columbia Library] [Bookplate for University of British Columbia Library] Grey ink on cream paper. Text appears above and below university shield which is set on a dark background.

23. [Bookplate for University of British Columbia Library] [Bookplate for University of British Columbia Library] Grey ink on cream paper. Text appears above and below university shield which is set on a dark background.

24. [Bookplate for University of British Columbia Library] [Bookplate for University of British Columbia Library] Grey ink on cream paper. Text appears above and below university shield which is set on a dark background. Donor information is typewritten.

25. [Bookplate for Montreal & District Brotherhood Federation, W. Bourdeu, S James United Brotherhood, and [Bookplate for Montreal & District Brotherhood Federation, W. Bourdeu, S James United Brotherhood, and T. B. Macaulay] Black ink on white paper. A border consisting of a thick black line with thinner black lines surrounds the bookplate. At the top of the bookplate, there is a circular decoration with a black border. Inside the border is a plain section with rounded edges on the outer rim. Inside that section is a thick black circle with text printed in capitalized, sans serif white font. A thin white border separates the thick black section from an image of a black and white globe with cross sections. In the middle of the globe, a circle shows two hands with black sleeves shaking. Above the hands is a sun with beams. Below the hands, letters are printed in capitalized, sans serif block letters with a black border. Underneath the circular design, font is printed in capitalized, serif, black, font. On the next line is a dotted line. Below the dotted line is the same font in a smaller size followed by another dotted line. The same font, but larger, is printed on the next line. In the next line the font is smaller and then larger and smaller again in the subsequent two lines. Below these lines, text is printed in bold, black, small sans serif font. Underneath this line, text is printed in small, sentence case, black, serif font and is followed by a dotted line.

26. [Bookplate for Martha Gold Morgan] [Bookplate for Martha Gold Morgan] In black ink on textured paper. At the top of the bookplate, appears a small image of a lion's head, erased, crowned and charged on a straight wreath. The lion's head, set on a white coin above a scroll with the Morgan motto, is the traditional badge of the clan. Two flowers flank the lion motif and one appears centered below the bottom compartment. These designs are set on a background displaying the silhouette of a tree and wind-blown leaves. Morgan's name is written in large black print on white background.

27. [Bookplate for Marjorie Vivien Smith] [Bookplate for Marjorie Vivien Smith] A winged horse in flight among stars at night framed by a border with stars and planets is depicted. Bookplate still affixed to a portion of the book cover that has been cut out ; book is "The Voluntary worker in the social services. Report of a committee jointly set up by the National Council of Social Service and the National Institute for Social Work Training under the chairmanship of Geraldine M. Aves" (Beverly Hills, Calif., Sage Publications: 1969).

28. [Bookplate for Lesslie M. Sweetnam by F. F. H.] [Bookplate for Lesslie M. Sweetnam by F. F. H.] Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk.

29. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In green ink, image of four blooming flowers emerging from the ground, set on an arched background, with solid green border.

30. [Bookplate for Laurence A. Waldron by Waller] [Bookplate for Laurence A. Waldron by Waller] In red ink. This bookplate displays a classical theme. A neoclassical urn, draped with a laurel garland serves as the back-drop for the escutcheon. The escutcheon, argent (silver), is charged with three bull's heads caboshed, situated two over one. Above the escutcheon is a straight wreath, charged with a heraldic tyger sejant. This component is encircled by the originator's Latin motto. The urn is set upon a pedestal with an oval background, framed by a garland. At the base, between the oval background and laurel garland frame, appears the name and location of the creator.

31. [Bookplate for Joseph Bewley] [Bookplate for Joseph Bewley] This non-traditional heraldic bookplate consists of a tilted argent (silver) escutcheon with a sable (black) chevron. On the escutcheon are three bird heads, erased, two over one. Atop the shield is an unusually large helmet in profile, topped by a twig with leaves, a crest wreath, and a stag head, erased. From the helmet flows mantling. Above and below the image are banners containing the text. The image and banners are set upon a designed background and framed by a double border.

32. [Bookplate for John Eardley Wilmot] [Bookplate for John Eardley Wilmot] In black ink. A marshalling of 12, this bookplate incorporates several notable charges, including two sets of eagle heads, erased, a leg erased, three garbes, a stag salient with hounds in pursuit, a scythe, three bugle-horns, three maiden's busts, three crosses-crosslet, three mullets and a lion rampant. The escutcheon is surrounded by an ornate, foliage border in the Chippendale style. It is crowned with a peer helmet, set upon a vegetative backdrop. The mantling supports two straight wreathes, charged with a demi-eagle, holding an escalop in its beak (dexter) and a stag courant (sinister). Among the many heraldic armorials depicted, this bookplate includes several identifiable familial crests. The originator's descendants, include, from dexter chief to sinister base, the Wilmot family in armorial one, the Eardley family in armorial three and the Marrow family in armorial seven. The Wilmot family armorial displays a sable (black) background parted per fess, or (gold), with three escalops on the fess, situated between three eagle heads, erased, two over one. The Eardley family armorial is argent (silver), with a chevron, azure (blue), charged with three garbes (sheaves of corn) and in canton gules (red) a fret, or. The Marrow family armorial is azure, parted per fess, or, engrailed, situated between three maiden's busts, two over one.

33. [Bookplate for James Phinney Baxter] [Bookplate for James Phinney Baxter] In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library."

34. [Bookplate for James Maitland Hunt] [Bookplate for James Maitland Hunt] In black ink, this bookplate contains an escutcheon, argent (silver), charged with two dogs courant, and a chief, argent, with fox cabossed, between two hunting horns. Above, a helmet with mantling, and a crest of a lion's head erased, gorged. All set within a floral architectural border.

35. [Bookplate for J.G. Grieve by William Walker Alexander] [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.

36. [Bookplate for J. Rumsey] [Bookplate for J. Rumsey] Printed in black ink, a simple linear border with sparsely set flowers surrounds the text. The seal in the center of the bookplate displays an image of the Calvary Church.

37. [Bookplate for J. E. Horvath by Gabriella Krisztimkovich] [Bookplate for J. E. Horvath by Gabriella Krisztimkovich] The bookplate belongs to J. Eugene Horvath who is a famous bibliographer living in Vancouver. The central image is of a Canadian mapleleaf. The left portion of the leaf has a gilt inlaid ceramic plate with a quill pen over it signifying a love of writing. The central portion of the leaf has a set of mountains signifying the Vancouver area with a camera below it signifying a love of photography. The right portion of the leaf has an image of a Hungarian King St. Ladislas The central portion of the leaf has an image of the Buda side of Budapest and shows the central castle and churches lying in relief above the Danube river. This portion of the bookplate indicates the fact that Horvath was born in Hungary and emigrated to Canada.

38. [Bookplate for George T. Turner by H. L. Peckmore] [Bookplate for George T. Turner by H. L. Peckmore] This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials.

39. [Bookplate for Geoffrey Christian and Michael B. Kunze] [Bookplate for Geoffrey Christian and Michael B. Kunze] This image portrays, in black ink, on white paper, three books, one open and two lying stacked on their sides in front of the open book. In front of the three books is a large black inkwell containing a quill. The inkwell sits upon a manuscript. The manuscript has a seal on it. The image is set on a black background, with a curved top.

40. [Bookplate for Garnet Joseph Wolseley by Charles William Sherborn] [Bookplate for Garnet Joseph Wolseley by Charles William Sherborn] This heraldic bookplate consists of an escutcheon, argent (silver), charged with a talbot passant, gules (red), and a mullet above at centre chief. The escutcheon is supported by a wolf, rampant clutching swords at dexter and sinister. The escutcheon is set within a garter-like setting, from which various military medals hang. Above the escutcheon is a viscount coronet, sans the cap, with a grated helmet at three-quarters, further delineating the rank of viscount. Upon the helmet rests a ducal coronet, which is charged with a wolf's head. Behind the wolf is a small banner with first Latin motto within (the family motto of Wolseley of Wolseley, Co. Stafford, Barts.), and below the supporters and escutcheon is a second banner, with second Latin motto within (the family motto of Wolseley of Mount Wolseley, Co. Carlow, Barts.), along with a larger banner with bookplate owner's name and title. Elaborate mantling radiates from the helmet, and the entire bookplate is encased in a ribbed border.
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results 21-40 of 68 item(s)  page 2 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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